One of the things that has made a lot of people dislike Word over the years is the obscene number of features the app offers. This will be either a positive or negative thing depending on who you ask, but one of the things that I personally enjoy about Word for the iPad is that it feels like a lot of the cruft you get from the desktop app has been either hidden from view or removed entirely. I still wouldn’t recommend it for people writing for the web, but I could totally see how this is an experience people would want for longer form writing or creating printable documents they want to share with others. As someone who usually writes for the web, Word is not usually my go-to writing app, but this article has been written entirely in Word for the iPad and it has been a pretty enjoyable experience. If you’re willing to jump through these hoops, Word for the iPad is a generally pleasant experience. Currently, only iPad Pro users strictly need an Office 365 subscription to access full functionality. So if you have a standard iPad or iPad Mini, then you get editing functions for free. These plans start at $5.99/month for individuals and come with access to all the main Office apps and 1TB of OneDrive storage, so it’s a pretty good deal, but again, some people will not want another subscription, so this could be a turn off as well.Īs a brief aside, Microsoft has some weird device size factors that they use to offer editing for free to users on iPads smaller than 10 inches. If you plan on using Word for the iPad, I highly suggest you also commit to keeping your documents in OneDrive so you get the best possible experience.Īnother thing to note up front is that the app is a free download and will let you view Word documents without paying a dime, but if you want to edit or create documents, you must be an Office 365 subscriber. There are a non-trivial number of people who will see this as a deal-breaker, and there is no shortage of low reviews on the App Store for just these reasons. for syncing your files between devices, then these features poof away. If you are using iCloud Drive, Dropbox, Google Drive, etc. For example, the collaboration and auto-save functions that make the app truly useful only work if you are also storing your documents in OneDrive. That said, this is more true if you are willing to lock yourself into Microsoft’s ecosystem. As we’ll talk about more later, this is not a carbon copy of the desktop app, but it is a feature-rich app that lets you do quite a bit of work in Word documents you create alone or are using to collaborate with others. Microsoft Word for the iPad is a well-made, high-quality word processing app that will likely be all most people need to get their Office-related work done from their favorite tablet. Get the List » Welcome to Word on the iPad They will help you get the most out of your devices and your day. And they range across several different categories but are mostly focused on productivity. These apps work on iPad, iPhone, and Mac.
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6 Best Sample Replacement Plugins Of All Time 1. However, there are bound to be situations where drum replacement becomes applicable to your session, so whether you’re considering investing in software for producing at home, or even just as a way of adding extra dimension to your drums, we’ve compiled 6 of the best plug-ins available today. There are pros and cons of using drum replacement software, and we would, of course, suggest learning proper mic techniques as well as EQ and compression in order to produce a quality drum sound. Using drum replacement software immediately gives you access to a professional library of drum sounds that otherwise would be difficult to get.ĭrum replacement can also be really handy at the mixing stage, particularly if there was only a short window of time to record drums. This can also be particularly useful for bedroom producers, or anyone who programs drums into their DAW. Rather than physically swapping out different snares and mic combinations, flicking through a sample library takes up much less time. Particularly with snares, it can be difficult to find the perfect sound before even beginning tracking. Why Replace Drums?ĭrum replacement software can one of the most useful plug ins in your workflow.įor example, triggering drum replacement hits can eliminate the need to spend time trying out different combinations of drums when starting a recording session. Software such as EZ Drummer or Superior Drummer can be really beneficial to not only mixing but songwriting as well. Today, there are some fantastic pieces of software available, whether it be for a replacement of a recorded kit or even just a way of adding another tonal layer to your drum recordings. You’ll also have a range of samples available from classic acoustic kits through to electronic 808 style drums.ĭrum replacement is a bit of a touchy subject, some see it as cheating whereas others embrace it as a staple of modern mixing. This can be triggered from an mic’d up acoustic drum or from an electronic drum module.ĭepending on which software you use, you’ll usually have tweakable parameters to create a custom sound such as a ‘wet/dry’ option which lets you blend your sampled snare with the original. Modern software works live within your DAW and processes each drum hit individually in order to replicate the volume and tone of each drum stroke with a pre-recorded sample. The idea of using this technique followed on from the rise of drum machines which enabled producers to find the ‘perfect’ sound for their drum tracks. We run you through our top 6 drum replacement plugins.ĭrum replacement refers to plug ins or software which analyses the sounds of a drum hit (a snare, tom or kick drum) and uses high-quality samples (within a DAW such as Pro Tools) to replicate that sound with a professionally recorded drum sample in real time.Looking for the best drum replacement/drum trigger plugins?.Disclosure: We may receive commissions when you click our links and make purchases. US Ski Team Race Suitsįor all you racers out there, you can find race suits from the US Ski Team on SidelineSwap. A variety of styles are available, from geometric patterns to superhero-inspired designs, to fit anyone’s taste. Top brands such as Spyder and Arctica sell both downhill and GS suits for men, women, and children and make sizing easy with helpful charts. Given the long history of ski racing, many brands have entered the market, offering a large array of ski racing suits at various price points. 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The padding in most higher quality GS suits is also removable. The padding in a GS race suit offers additional protection from impact with ski racing gates. These suits are padded, and because of the way the pockets that hold the padding is sewn in the suit is less stretchy than a DH suit. GS Suits are for racing the tech events of Slalom and Giant Slalom. A DH race suit can be worn for SL and GS racing as well, the racer would just need to wear separate body armor for protection. Because they have more stretch, they tend to fit a wider range of body shapes and sizes. They are not padded, so they have more stretch and can be worn tighter to be more aerodynamic. There are two types of suits for ski racing: DH suits and GS suits.ĭH suits are worn for racing the speed events of Downhill and Super G. Ski race suits allow the ski racer to be more aerodynamic, which makes them ski faster. 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Council of the Faculty of Management and Economics at That tells you all you need to know about where the D’Addario brothers are coming from. That may sound naïve or quaint, in a way-how much could he really have absorbed or understood in his first nine years of life? But that stretch is almost half of Brian’s life, and he spent those years dedicated to obsessing over everything The Beatles ever did. That’s right: the nine years Brian D’Addario spent exclusively obsessed with The Beatles were his first nine years on Earth. He proves just how long that is by adding, “Until I was like nine years old I didn’t get into anything else.” Brian says that he listened to The Beatles almost exclusively for years: “Other things, here and there, but no one topped it for, like, nine years,” he says. “And that was the result of being into it.” They poured over every Beatles album and watched every installment of The Beatles Anthology TV documentary from the 90s. “That was like our whole lives,” he says. The two listened to a lot of musicals growing up, too, but Brian says they were “super obsessed” with The Beatles. We can’t learn anything about The Beatles. So that was a big influence on us when we were young.” He’s got a record Falling For Love, which is a great record. “My dad’s a musician and he writes great songs. “Music was important to both my parents, I’d say,” Brian says. The brothers come by their influences honestly enough, though, having grown up in a musical household. And there’s nothing affected about their 60s pop sound, though you might be tempted to think so when you see Michael’s Ziggy Stardust mullet or Brian’s shaggy haircut and the vintage clothes they favor, which first went out of style three decades before they were born. It abounds with catchy Beatles-esque melodies, twangy Kinks-esque guitar riffs, and flawless Beach Boys-esque harmonies. If you were to listen to Do Hollywood without knowing anything about the band that created the album, you’d be forgiven for thinking it was from the late 60s, production quality aside. It was a great question, and a perfectly apt one for the D’Addario brothers, because it just so happens that they do play “real rock-and-roll,” in more ways than one. “I only like real rock-and-roll,” the waitress told us. She, however, didn’t recognize him from the visit. Later, after our waitress caught on that Michael and his elder brother by two years, Brian, might be something of a big deal, the younger D’Addario told her that he’d been in the diner recently with his girlfriend, and she had waited on them too. Michael demolished a cup of chicken and noodle soup with the intensity that only a very hungry 17-year-old could muster for a cup of Long Island diner chicken and noodle soup that came free with his gigantic chopped steak. Do Hollywood, their debut album for UK-based 4AD, one of the most storied tastemaker labels of the past 40 years, would be out in weeks, and they were about to embark on a month-long North American tour in support of Brooklyn’s own Sunflower Bean.īut at that diner, they were kids from Long Island as much as budding rock stars being interviewed for a cover article. The week prior, the brothers and their band, The Lemon Twigs, played The Tonight Show Starring Jimmy Fallon, and a couple days before that they headlined a gig at Manhattan’s Irving Plaza. S itting in a booth at a Long Island diner with Brian and Michael D’Addario, it’s easy to forget that they’re on the cusp of a likely and glorious rock-and-roll adventure. In 1960, her efforts helped her become the first African-American and the first woman to have her name on a NASA research report. She also had to be “assertive and aggressive” about receiving credit for her contributions to research at NASA. In 1940, she agreed to serve as one of three carefully selected students to desegregate West Virginia University’s graduate programme. Long before psychologist Angela Duckworth called attention to the power of passion and perseverance in the form of grit, Katherine Johnson modeled this stalwart characteristic. She used these analytical skills to verify the computer calculations for John Glenn’s orbit around the earth and to help determine the trajectory for the 1969 Apollo 11 flight to the moon, among others. Mathematics concepts build on one another and the mathematics she learned in this class helped her in her work at NASA many years later. Once Johnson completed the standard mathematics curriculum at West Virginia State College, Claytor created advanced classes just for her, including a course on analytic geometry. In this file photo taken on Novemformer US President Barack Obama presents the Presidential Medal of Freedom to NASA mathematician and physicist Katherine Johnson at the White House in Washington, DC. In the 1930s, a little over 100 American women counted themselves as professional mathematicians. Claytor encouraged Katherine to become a research mathematician. While there, she had the good fortune to learn from W W Schieffelin Claytor, the third African American to earn a PhD in mathematics in America. Johnson graduated from West Virginia State College at the age of 18. Thirteen years older than Johnson, she modelled a life of possibility. King taught Johnson geometry and encouraged her mathematical pursuits. She would go on to earn a PhD in math education in 1955. King taught at the laboratory high school while she worked to become one of the first African-American women to earn Master’s degrees in math and chemistry. While at West Virginia State, Johnson took classes with Angie Turner King. Johnson entered West Virginia State College High School as a preteen and enrolled at the age of 14. Mentors make a differenceĮarly in her life, Johnson’s parents fostered her intellectual prowess.īecause there was no high school for African-American children in their hometown of White Sulphur Springs, West Virginia, the family relocated to Institute, West Virginia, during the school year. I can point to some contemporary ideas we can all benefit from when examining Johnson’s life. Her legacy provides lessons for supporting women and other underrepresented groups in mathematics and science.Īs a historian of mathematics, I have studied women in that field and use the book “Hidden Figures” in my classroom. Johnson became a household name thanks to the celebrated book “ Hidden Figures: The American Dream and the Untold Story of the Black Women Mathematicians Who Helped Win the Space Race,” which later became a movie. Katherine Johnson, an African-American mathematician who made critical contributions to the space program at NASA, died Feb 24 at the age of 101. If my guess is correct, I would like to know how to remove the QuickTime chapter tags (or at least change them to match the Nero tags). According to some old posts I found, as of version 2.91e, Mp3tag should be able to read and remove QuickTime chapters. From what I can tell, Mp3tag appears to be writing chapter titles using the Nero standard (hence why VLC and Foobar2000 read them correctly) but leaving the incorrect QuickTime chapters alone instead of removing them (hence why Listen Audiobook Player shows the wrong ones). My guess is this has something to do with different styles of mp4 tags (Nero vs QuickTime). I consider this to be a problem in Mp3tag and not Listen Audiobook Player because if Mp3tag were functioning as expected (deleting any trace of the previous erroneous chapter titles), then there is no way that any other program could pull that information from the file. It still shows the chapter titles as they were before I fixed them. The example that concerns me is Listen Audiobook Player. The problem is that some player programs do not reflect the changes that have been made. Loading the m4b file with Mp3tag, VLC, or Foobar2000 shows that the chapter titles have been altered and are now correct. I am aware of how to alter chapter titles. Unfortunately, this does not solve my problem. I am not very familiar with ffmpeg or avisynth, but I am a whiz at copy/pasting commands into a terminal. I would appreciate it if some one would tell me how to do that, or if not then recommend another application that could accomplish this. I cannot figure out how to do this though. Looking in these forums, I have seen evidence that Mp3tag should be able to read and remove QuickTime tags, just not write them. How can I do this? The "strip MP4 chapters" utility removes the chapters entirely, not just the titles. Several of the other m4b files I have been using definitely have Nero tags and LAP reads those fine (I know this because I made them myself with Foobar2000 and made sure there were no tags at all before entering my own.) This leads me to believe the problem only arises when both formats are present. It seems that the easiest way of achieving this is to strip the QuickTime tags and only leave the Nero tags. I would like a way to get LAP to display the correct chapter titles that I have entered using Mp3tag. I have many other books that I have been playing with LAP and I haven't yet encountered this problem outside of this particular file. I suppose that VLC and Foobar2000 both prefer Nero and LAP must default to QuickTime. After doing some research, my suspicion is that the existing erroneous tags are QuickTime tags and Mp3tag is adding Nero tags. I have tried clearing the cache and the data from LAP and the problem persists. Unfortunately, when I load it into my Android phone and play it with Listen Audiobook Player, it still shows the previous, erroneous chapter titles. I have used Mp3tag version 3.17 to alter the titles and when I test it with VLC or Foobar2000, it seems to have worked. I have an audiobook in an m4b file with incorrect chapter titles that I am trying to fix. |
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